Two months later I find myself struggling to promote the new album any further. The roadmap laid out up to the release served it’s purpose and I was able to execute it to the T with a punctuality never before seen from myself. But I was so focused on just getting it done, making the steps to the final destination, that I thought very little of what I’d do when I got there, other than a reminder FB post a few weeks or so later. This has always been the case with Dreamtime’s post-release promotion. But I feel, now more than before, that this project I’ve spent so much time on is worthy of the follow up support I’ve neglected to provide. Neglected for reasons as simple as focus shifts to painting, reading, making a paycheck, and generally living life.
It’s an ocean of media, entertainment, music and film out there and I’m trying to build a floating island of my own. A place in the clouds that people may stumble upon and maybe find something they like, that enhances their lives in the way that art does. Or if it’s not their cup of tea then maybe, at least, they recognize the DIY ethic and be inspired to follow their own visions and dreams as well.
So what is next? Promotion of course, starting with this very blog then leading into paid promotion on social media and local promotion via podcasts and correspondence with others, regardless of genre.
There is always something creatively cooking up in my head and sometimes it’s hard to make it out of my head with the idea(s) in tow but when it is achieved and the physicality begins to take shape I pour my heart into it. It can be exhausting but it’s always worth it. This bout of post-release promotion will be no different.
Here it is. Finally. Like a weight off the shoulders. Press play and turn it up!
The album came about as they all do over the course of a few years. I would return to this place of wonderment and exploration called the creative process. With ND it can be anywhere from brief moments of a single phrase to long excruciating scenarios where there is a constant struggle of possibilities and loss of sleep. The process is different and so is the product.
A couple songs had debuts in independent film and internet radio compilations. Others were created for this release with correspondence and collaboration with Matt happening when his schedule would allow. The idea behind the tunes was really all the same; to bring the style into unfamiliar territory, as with my first film soundtrack attempt and the final product, while trying to solidify a concept of some sort around what will be. It coalesced beautifully as the full picture came into view. The Map and The Territory.
The idea for the special variants came as one of those epiphany moments. I love and collect colored vinyl of movie soundtracks and would have loved to get this pressed on vinyl but I couldn’t afford to so the idea to create different tangible, artsy packages came to be as something I could accomplish myself with all I had available. I think they came out beautifully, much like the music.
Now for some of the pseudo-intellectual philosophy behind the name…
The Map is a symbol and The Territory is what is and it’s what The Map stands for. But they are not equal. One is flawed. One is absolute. Our human experience, to anyone that has stopped to ponder, is more than what we can see, taste, feel, smell, and hear. Our perceived reality leaves out a majority of what is actually there. Our brains can’t comprehend what’s actually there, what we’re wading through. If the doors of perception were cleansed we would see everything as it is, infinite. Which means our reality would melt and there would be no point of reference, our minds lost but maybe not forgotten.
So we wander through this symbol pretending we have it figured out. That we have the complexities of what is simplified to its simplest terms and documented in triplicate to the tenth power. According to the map we’ve only gone about five inches in the last second of the last hour. We should re-calibrate.
Shown above is the CDBaby store copy of the album with the art that will accompany all digital copies. The image is from an old drum head I painted years ago (seen in background) as it was hanging in the studio window, back-lit, making for nice textures while bringing out all the layers of color.
The variant packages were painted using the same method on 22×28 inch poster board that was then cut, folded and glued, by hand, to form one 10×10 inch gate-fold style case while the remaining “scrap” pieces made covers for a keep case and a jewel case. These packages are limited as follows:
• 4 variants of jewel-case categorized as “Tourist”
• 4 variants of keep-case categorized as “Explorer”
• 4 variants of gate-fold categorized “Cartographer”
Each of the 12 variant packages will only be available as merch through our Bandcamp on March 2nd.
It brings me great pleasure to finally announce the release date for “The Map is Not the Territory”. March 2nd, 2018 will see the sixth album digitally and physically distributed by CDBaby and their many streaming affiliates. It is to be accompanied by a severely limited physical CD release with unique packaging options available only through our Bandcamp. More details to come as the date draws near, so stay aware.
Since December, DJ Mac’s Post-Alternative Visions: Volume 4 has been available featuring many returning contributors. It’s the current home of ND’s debut “Make Lemonade”, a somewhat optimistic punk-rock tune dedicated to the young entrepreneurs who keep getting shafted by The Man.
Lastly, as one can see the site has been streamlined and updated. The playlist is now always up top and will continue to play while the site is being navigated. The menu itself has also been simplified and dead links removed.
After a series of DIY vehicle tune-ups, Halloween celebrations, multiple overtime weeks at work, an art exhibition, and just recently a cabin getaway with the love of my life, the energies now feel right to roll up my sleeves and finalize the album. I had envisioned a late September release but as mentioned above, life is a roller coaster and sometimes you have to relinquish control and throw your hands up to just ride the ride, embracing the twists and turns as they arrive.
With calmer happenings focus can be forged while being careful not to inspire poor posture or aggravate the carpel tunnel by clickity-clicking everything into place as the music is now 100% complete. But considering the clusterfuck holidays known as Thanksgiving and Christmas are just around the corner I am now thinking of a New Years debut as highly probable. I am, however, still undecided on the Kickstarter project to back the album, if it seems I can squeeze the crafting of backer packages into the schedule then that’ll be great.
Alongside new ND material there is new Robot 7 material coalescing as collaborative talks and temporal sketches emerge. Coincidentally, DJ Mac’s Post-Alternative Visions compilation #4 is just around the corner with returning contributors and new. The ND track chosen for our submission is unique to our catalogue as an unreleased post-punk-rock inspired tune I hope will find a home among others. The compilation is due for a mid-December release.
Till next time here, into the shadows I crawl back again.
If you go HERE or look on the bottom of this page (or any post page) you’ll see a media player with a playlist that has nearly all the drone style ambient songs. In celebration of this past decade of dreams and to actively usè this site more there may be a new playlist highlighting other songs with a new mix every month including relics, unreleased, in progress and demos.
The playlist now consists only of tracks from I Am My Own Mushroom and The Caduceus Saga. They were made in very similar styles with a nearly identical rig setup which relied heavily on Behringer’s V-amp 2 because the delay setting was such that I could tap tempo about two and a half seconds of loop time then strum a chord on the guitar volume turned to 0, then roll it up and down at various rhythms creating that swelling effect. Much improvisation made those pulsing, warm atmospheres that is the majority of IAMOM. Much of everything else was recorded while improvised with minor editing. Layering each run through and adjusting pan and volume levels made sculpting those sonic scapes possible. The availability of free software such as Goldwave and Audacity also made the mere idea of creating truly independent music a reality.
IAMOM was born from a dream and was shaped by haphazard trial and error in a very playful and experimental “I-don’t-have-a-clue-what-I’m-doing” kind of way. The Caduceus Saga on the other hand was more planned out and built upon things learned from the albums before it. Many of it’s ambient songs had the same setup but the execution was far better and audibly clearer. As experience lengthened, knowledge grew, and the style solidified, of course.
This about concludes the serotinal update. Stay tuned for the next post come autumn as it will probably be info about the crowdfunding plans and ideas for the upcoming release.
Like dots on a CRT so are the dreams of of our lives.
It thrills me to have the domain back with projects underway after a lengthy hiatus. Today is Neuron Dreamtime’s official 10 year anniversary with the release of IAMOM back in 2007. Since then the number of manifestations has reached 150+ tracks in the form of full releases, EP’s, and singles, equating to over 9 and a half hours of music and music like noises.
Since MirrorMirror I’ve spent most of this hiatus removed from any/all music in-progress but about once or twice a year I have a sit down between two coils of copper and listen to whatever new music we’ve shelved into digital incubation as well as any amount of the back catalog to make notes and daydream. This is occasionally accompanied by a feeble attempt to write a witty blog or FB post that resembles an update trying to communicate, to an extent, some amount of insight into the madness we call our musical process and the current state of our journey. This is obviously one of those attempts.
However, during the past couple months I’ve been rekindling the hibernating files and notes toward a final destination. The new album entitled The Map Is Not The Territory is scheduled for a fall debut with the high likelihood of a small Kickstarter campaign for CD duplication leading up to release. With or without crowdfunding, it will be coming to the Bandcamp catalogue as well.
On a closing note, I found it poetic that the last post was drought themed as there was a drought both environmentally and metaphorically when it was posted. As of today this has been one of the nicest, rainiest spring/summer seasons of recent memory and creative endeavors seem destined to fructify.
Head on over to Kickstarter and give these boys some love. They have always been very supportive of everything Dreamtime related. Support to them is support to me and you in the form of culture and art!